Sly-Fi Digital Full Crack a newly founded digital arm of UBK Audio, launched last month with what seems like highly varied product line, especially when you consider the fact that they’ve only released three plugins to date.At first glance I was drawn to the Axis, seeing how it is a clear attempt to emulate the classic API 500 series EQs, which I happen to have quite a bit of experience with.Immediately upon downloading the licenses I found myself stumped by a slight problem: As of this writing, AAX versions of the Sly-Fi plugins have not been released. Being a Pro Tools user, that caused some significant confusion on my end. I resolved it by installing DDMF’s Metaplugin.
Normally I despise similar workarounds, and this digital “wrapper” did make the plugin interface feel a little clunky. Every time I wanted to load Axis I had to open Metaplugin, and then open the Axis inside of that and route its input and outputs. Still, it didn’t stop me from being able to use the thing, and the knowledge that a AAX version is in the works helped push me along as well.The Axis is laid out quite similarly to a classic API 500 series Sly-Fi Digital Axis EQ license key. The first thing I noticed was the three “mode” selections. The modes labeled “A” and “B” seemed obvious enough — presumably emulations of the 550A and 550B — although the A mode has an additional, duplicate mid band not found on the hardware. The “UBK” mode struck me as an interesting twist, and offers fully variable boosts, cuts and frequency selections rather than the 2db steps found on the hardware.
This is understandable, as the most common complaint I hear about 550 series Sly-Fi Digital Axis EQ Keygen key is that their 2db steps are just too large for some jobs. Personally, I prefer a slightly more ham fisted EQ, but I can see why allowing for a lot more resolution would provide quite a bit of utility without costing a designer a lot on R&D. I found this mode to be a welcome addition.The other major distinction from the original hardware is the inclusion of saturation and output knobs. A brief blurb on the SlyFi website states that UBK modeled the saturation knob on a modification that was done to UBK founder Gregory Scott’s personal 550As.Brief experimentation caused me to question this, since when driven in to high saturation it doesn’t sound much like the APIs I’m familiar with, but I decided not to complain when I realized how good the saturation sounds. It sounds really, really good. In fact, I’d say it sounds considerably better than any of the other digital distortion of saturation effects I keep on hand.
Downloads
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Features
- In Fact, Kai is an adjunct created Armatex old tube tape recorder and the operation of the pump directly to the tape head
- Axis EQ’s curves are tighter than the original for the starters.
- Got a classic A and modern B mode on a switch with the UBK mode so you can select the one that works best for every track.
- Get the’ father’, which is the minority most of the box with distortion boot such as a single heavy bottom.
- Impressive plug-built-in audio mixer, digital of which must be core B1 EQ. 0. 3. A deflector B1. 0. 2 and Caillou V1. 0. 4.
- Got a Saturation knob added for overdriving customized op-amp.
Conclusion
Sly-Fi Digital Full Crack has always been about innovative analogue hardware devices and software versions of the same – main man and certified audio genius Gregory Scott has never seen the benefit of simply emulating other commercially available units.
